Pablo Ruiz Picasso, 1881-1973
Pablo
Picasso is widely acknowledged to be the most important artist of the
20th century and was the first artist to have a mass following during
his lifetime. A long-lived and highly prolific artist, he experimented
with a wide range of styles and themes throughout his career. Among
Picasso's many contributions to the history of art, his most important
include pioneering the modern art movement called cubism, inventing
collage as an artistic technique, and developing assemblage
(constructions of various materials) in sculpture.
Pablo
Picasso was born October 25, 1881, in Malaga, Spain, the son of Jose
Ruiz Blasco, an art teacher, and Maria Picasso y Lopez. His talent was
manifested early in his life: he was painting by age 10 and by age 15
had gained admittance to Barcelona's School of Fine Arts. After two
years, he transferred to a school in Madrid. In 1901, after
winning prizes for various works (Science and Charity, 1897, Customs of
Aragon, 1898), Picasso set up a studio in Montmartre. Prior to this,
Picasso signed his paintings using both his mother's (Picasso) and
father's (Ruiz) names, but from 1901 began signing with Picasso alone.
By
this time, Picasso was a master of the traditional forms of art, and he
was employing the neo-Impressionist ideas of the schools of Degas,
Vuillard, and Toulouse-Lautrec. His Blue Period covered the years
1901-1904 and commenced with a period of mourning for his dead friend,
Casamegas, who had committed suicide over a lost lover. During this
period, the color blue is used, in different shades, uniformly in all
of his paintings. The paintings of this period expressed human
misery and sadness, and were dominated by blind figures, alcoholics,
prostitutes, beggars, and the miserable. The period was
culminated with the painting of La Vie 1903 (right).
In the
Rose Period (1904-1906), Picasso recovered from the misery of the blue
period with bright colors and happier subject matter. His palette began
to lighten, bringing in a distinctive beige or "rose" tone, and first
painting the circus performers and clowns that will populate his
paintings at various stages throughout his career. During this time,
Picasso met Fernande Olivier, with whom he started a relationship. She
would be his inspiration and model for many works in the coming years.
Harlequin Family with an Ape 1905 (left) is illustrative of this
period.
In late 1906, Picasso entered his Protocubism phase
when he started to paint in a truly revolutionary manner. Inspired by
Cézanne's flattened depiction of space, and working alongside his
friend Georges Braque, he began to express space in strongly
geometrical terms. These initial efforts at developing this almost
sculptural sense of space in painting are the beginnings of Cubism.
This is illustrated in Self Portrait with Palette 1906
(right).
Picasso's Analytic Cubism
movement began in 1908, when he was inspired by the volumetric
treatment of form and began to paint in a style described by a critic
as being made up of "little cubes". From this came the term, Cubism. In
Analytic Cubism, Picasso and Braque were concerned with the breaking
down and analysis of forms. They used mostly monochromatic schemes in
their representations of radically fragmented scenes, showing several
sides of the image simultaneously. An example of this is Portrait of
Daniel-Henry Kahnweiler 1910 (left).
Picasso marked the change
into Synthetic Cubism in 1912 with the creation of his first collage,
Still Life with Clair Caning. Characterized by a wider usage of color
and decoration, the shapes in the paintings remained flat and
fragmented. Guitar on a Table 1912 (right) is typical of the
period. Picasso also created several Cubist sculptures along with
various constructions made from different materials.
During
World War I, Picasso went to Rome, where he met his wife-to-be, Olga
Kokhloven. During the early 1920's, Picasso created tranquil,
neoclassical pictures featuring heavy figures, along with works
inspired by mythology. In the 1930’s Picasso became tangentially
connected with the Surrealist movement, and during this time, Picasso
met Marie Therese, who bore him a daughter, Maya, in 1935. Marie had an
affect on some of Picasso's paintings during this time, lending to them
sweeping curves and expressing an underlying eroticism. Portrait
of Maya with Doll 1938 (right) and Mother and Son, 1938 (left)
are from this era.
In
1937, Picasso was commissioned by the Spanish government to produce a
mural about the Spanish Civil War. Picasso produced a rendition of the
bombed out town of Guernica (below) in which he used symbols and
imagery to portray the horrors of war. Symbolism used includes images
of a dying horse, a woman trapped in a burning building, and the
anguish of a mother and her dead child. Guernica exhibits some
characteristics of Picasso's earlier Analytic Cubism Period
(1908-1911), namely, the monochromatic usage of fragmented and flat
shapes, and is considered by many to be one of Picasso's most dominant
and significant works. Living in Paris during World War II,
Picasso's works continued in this somber tone, many times featuring
death as the main subject.
After
the war, Picasso primarily reverted to a more classical mode of
representation, possibly reflecting society's shock with the
technological horrors of the war. At the same time, however, he
continued to push Cubism into new paths. Many paintings from this
period reflect the horror of war, but there is a consistent depiction
of personal interest as well. The women in Picasso's life had a strong
impact on his artistic production, and some of the best examples are
from this period. Portrait of Françoise 1946 (right); Embrace 1971
(below right).
In the last two decades of his long career,
Picasso was more prolific than at any other time of his life and
produced some of his greatest works. He achieved a level of
effortless artistic expression that has yet to be fully
appreciated. Matador and Nude Woman 1971 (below left).
During his later years, he worked with all manner of media to produce
art, welding, and poetry. Working until the end, Picasso produced over
20,000 works during his
lifetime.
In
celebration of his 90th birthday in 1971, the Louvre Museum in Paris
honored Picasso with a large retrospective of his works. It was
the first time that a living artist’s works had been exhibited in the
famous museum. Pablo Picasso died on April 8, 1973, at the age of
92, in his villa near Mougins, France.
References: Online Picasso Project, about.com, top-biography.com, artchive.com.
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